Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Saturday, July 30, 2011

Two-Fer!

I swear, I didn't forget yesterday's update, but I had to run errands and by the time I got back, it was just not happening. SO, to make up for it, I have both updates today.

Echidna

Echidna is one of my favorite mythological figures. The Broodmother, the Mother of Monsters. Is there a scary being under your bed? It probably popped out of her. You can read more about her here. I'm also including the link for the purpose of full disclosure, so you can see that I used a bit of a reference.This is actually not how I usually draw her, but I wanted to focus on the 'nymph like' aspect, the alluring seductress who needs your seed to continue her race of creatures, rather like Grendel's mother.

Originally I wanted to put up the line art, and then contrast it colored in Photoshop as opposed to markers but Photoshop was being a butt. So...this is what you're going to get instead.


Photoshop Lineart



Markers


Attempts at shading were clearly...well, attempted, with varying degrees of success. I'm sorry I didn't draw scales, I did not feel like it would really help. I don't hate it, And some things worked better than I expected, though I imagine I will do another version eventually.

Sketchbook: His Chthonic Majesty Dreams of English Summer Rain

Kahlan




This is actually something of a redo from some pictures I put on Deviantart a few years ago.

For those in the back, Kahlan is the second main character from Terry Goodkind's Sword of Truth Series. Both of these pictures are inspired by the second book, 'Stone of Tears.' It was extremely good and extremely traumatizing to read, which is why I haven't finished the series. I'm not even kidding, this book shaved years off my life. The top comes from a battle scene in which Kahlan leads a small band of Mud people (that's what they're called) against the armies of the Bad Guy. She rides a horse naked, covered in mud and pretty much pwns face. I obviously did not draw her doing that. This comes directly after the battle as she is wrapped in a wolf-cloak and staring out at the carnage. I like this scene because it is Kahlan the Defender, the Warrior, protector of her people.

The lower half comes later. I don't want to say too much because it is one of the major climaxes of the book, but as you can see from the link, it's called 'The Gratitude of the Masses,' so that should tell you something. This is Kahlan the Mother/Guardian, the Servant, at what is probably her lowest moment. Well, no, there is one other time, and I would LOVE to draw it as a stained glass Triptych, but that will take more art skillz than I currently possess.

I love this character because she avoids so many aggravating tropes. She IS strong, but not at the expense of her femininity, she is smart without being abrasive, caring without being weak. And she's pretty. And Richard is one of the best protagonists. Really, I should just finish these books, assuming my heart can take it.

Sketchbook: Such Mad Hope From The Gates of Horn And Ivory

Friday, May 28, 2010

I Believe

So, as you may know, right now there is a project going on called 1Book1Twitter. Think of it as a giant reading circle on the internet. I desperately wanted to be part of this, but unfortunately, was simply too busy with school. Part of my desire came from the fact they were reading "American Gods" by Neil Gaiman (who at this point, is pretty much my favorite writer ever). Even though I could not participate, I followed along loosely. Today, Mr. Gaiman posted a shirt that I would really love to get, which comes from a speech made in the book. I read the speech and was floored by how close to my own philosophy it followed. I swear, sometimes I think the man is a prophet.

Here is the speech:

“I can believe things that are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen – I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe life is a game, that life is a cruel joke, and that life is what happens when you’re alive and that you might as well lie back and enjoy it.”

After having read this (and after picking my brain matter off the wall), I started writing my own sort of 'belief' poem (instead of taking notes in class). Here is what I came up with:

-I believe if dining halls didn't want us to steal bananas, they shouldn't charge 9.78 for their crappy cafeteria food. I believe teachers are grossly underpaid and that they bitch about it too much. I believe in cold pizza on couches and stale fries in backpacks. I believe in the Story. I believe it does not matter that there's no evidence oft he Jews being in Egypt, and that the Sphinx was not built by slaves; the story of the Exodus is still TRUE, regardless of if it actually happened. I believe you are not BETTER if you are stronger, smarter or more ambitious. I believe people will appropriate any document to justify their position.I believe it's silly to wear plastic galoshes and short skirts at the same time, since EVERYONE knows the purpose of rain boots is to make jumping in puddles easier.
Or maybe it's better so you don't soak your pants, since few things are more unpleasant. I believe there's only one true path, and we can never be certain we're on it and anyone who says they are, live like a diver walking along the sea floor, in one of those diving suits the bad guys wear in Scooby Doo. I believe Joseph Smith was either crazy or a conman and that this does not make Mormons or their faith illegitimate. I believe you can tell what groups are considered the "enemy" by who our comic book heroes are fighting. I believe professionalism should not require you to give up who you are, but it does and maybe it needs to. I believe in divine healing and I believe those douche bags who spend millions of donation dollars on private planes don't have it. I believe the Devil has better things to do than bothering infecting your kids through Magic the Gathering, rock and roll, Dungeons and Dragons and Harry Potter. I believe no on has ever been convinced or "woken up" by someone blowing up a building. I believe the best socializers are South Park and the Daily Show and college kids should be required to watch it. I believe sky scrapers and condoms are as much a part of nature as beaver dams and glaciers. I believe money and time spent in the service of others is never wasted. I believe it is completely possible to think a war is stupid, wasteful and corrupt and still admire and encourage those who fight it. I believe those who advocate direct democracy, total socialism, or otherwise gripe about our government should travel internationally so they begin to comprehend just how BIG the United States is. I also believe it wouldn't make much difference to them. I believe philosophy isn't dead, it has just changed addresses. Now we call it Science Fiction. I believe anything you say can and will be used against you in a Goggle Search. I believe in spanking, biting and handcuffing...someone you love very much. I believe that anyone who considers killing innocent people as an appropriate way of dealing with anyone is not intelligent, misunderstood or functional, only selfish and suicidal. I believe the Declaration of Independence and the Constitution are mind-blowingly amazing living documents that changed the world amongst great odds. I believe that in no way diminishes the tragedy of tolerated slavery, which led to a century of pain and a Civil War we should never have needed to fight and generations of racism we've yet to overcome. Nor does it absolve the founding Fathers from the responsibility of dehumanizing and subjugating other people. I believe there should be a dictionary called "Obscure Words for Pretentious People to Feel Haughty for Knowing" which will be self-defeating since everyone is pretentious on some level and once everyone knows them, they're not obscure anymore, are they? I believe hoods, cloaks, high Edwardian collars and double-breasted longcoats should come back into fashion, but I don't want them to because I'm secretly afraid others will look better in them and I won't even have the benefit of being strange and unique. I believe every person on the bus has a secret story...the difference is some read like Neil Gamian and some read like Stephanie Meyer. I believe in free will and I believe in destiny and I don't claim to understand how either work, let alone how they work together. I believe in tipping food service workers even when you don't think they deserve it or as much as you're giving because at some karmic point, we have all been them. I believe some people dance in the rain, and some people cry in the rain and both are tragically beautiful and beautifully tragic. I believe in obvious things and subtle things and I believe I don't know anything about anything but talk like I do out of fear and habit and because, well, you were just so WRONG. I believe anyone who thinks free love is more "natural" than monogamy should give up contraceptives, Wendy's and soap and see how often they get laid then. I believe we grow when we suffer and I believe that anyone inflicting suffering upon others is evil. I believe a benefit of the "real men don't cry" stereotype is how special their lovers feel the first time he breaks down in front of them. I believe it doesn't matter where you were born, how poor you were, what your religion says, what color your flesh is or how good your parents were...you are responsible for your own actions, always. I believe there's a purpose and reason to everything and I believe everything was just arbitrary, indifferent cause and effect and I believe that IT DOES NOT MATTER. I believe everyone should live their life as if they were being held accountable, as if they had free choice because living the other way is nasty, brutish and short. I believe everyone should should stop calling the philosophers dumb until they've changed the world the same way. I believe that imagination is the last thing to endure after faith, hope and love, as it is born out of the second two and makes the first one possible. I believe if I could help just one person, make their lives better, my life will be more complete.

~~

There will undoubtedly be more at some point. That is what I have for now.

Monday, December 28, 2009

They Who Serve Who Only Stand And Wait

Recently, I have been allowed to read books again, which is glorious. I have found myself drawn to some nonfiction. I mentioned this to an older acquaintance and they responded with 'Oh, I'm so glad you've grown out of those silly fantasy novels and are reading big kid books' (paraphrased). This bothered me to no end, but I made no issue of it at the time, knowing my cause already lost. I put it aside for awhile until the multi-talented Sean PC posted an observation on Facebook, which I'm reprinting here.

"...has an interesting observation. When a relationship has ended, and a person dwells on the feelings of their broken heart, after a certain amount of time everyone thinks they should get up and get over it and move on. “S/He wasn't worth it, anyway.”

But if someone moves on without seeming to care, everyone thinks they're a bit cold hearted, and wonder if they really cared in the first place - and may even suggest that they take a little time to mourn the relationship if just for its significance. Is this a double standard? And what is the time limit someone is allowed to mourn the past and ... See Morewhat if? And then there's what we are asking these people to do, and our views on emotions in general: How much significance do we allow our emotions? Are we to slip on a mask of good cheer and congeniality when we have "dwelled too long"? If we seclude ourselves because we make others uncomfortable, or are forced into seclusion because our display makes others avoid us, time spent too long there make our friends wish us out of it - but happy. Perhaps, just perhaps, this is the purpose of the stage - so that while we go about our daily lives with a social mask on, we may be ourselves in character, and allow our audiences see and feel what it might be like if people were free to be themselves."

My attention was predominantly to his supposition that the stage allows us to express what our culture does not. I wholeheartedly agree, but I would expand that notion to include basically all forms of fiction.

The further separated, the more distanced from reality, the more we are willing to open our minds to the possibility.

Consider the following scenario:
You have strong beliefs about the environment. You consider actions of our government and the corporations that call a lot of the shots to be irresponsible if not downright immoral. You believe our culture needs to change from one of consumption to one of careful stewardship.
Sure, you could write about it, try to convince others. But likely you would be labeled and then categorically ignored as a liberal, an extremist, a tree-hugger. No one wants to be told that what they are doing is wrong, that they may have to give up their comfortable lifestyle.

SO....spends billions of dollars and make a movie set on a different world where the alternative lifestyle is represented by individuals who are tall and blue and catlike and suddenly, BAM, everyone wants to hear what you have to say. It helps if everything is shiny and wellmade and stuff blows up too.

Undoubtedly some people were put off by the social subtext in Avatar. I was at points. But how many people do you think walked out at least THINKING about some of the questions it raised? Probably enough that James Cameron feels pretty good about it. The message didn't change, but put it in a way that people feel separated from, that makes them feel comfortable and you will reach a much bigger audience.

Do I think that was the point of the movie? No. The point of the movie was to be entertaining. It was intended to make money. But you know, while you're at it...

I've mentioned before that the Joker is a powerful character because we know he's *not real*. We can explore the moral and philosophical question he raises because he's OVER THERE. Fantastical fiction is therefore perhaps the greatest vehicle for philosophical discussion. My big brother said he thinks philosophy is dead. I disagree. I think it just changed addresses.

There is of course, some major differences. In a fictional setting, one is allowed to artificially limit options and circumstances. One could argue that it is easier for the Na'vi to live as they do because as far as we know there's only 20,000 or so, whereas on our planet, we have 7 billion. There are some things that are simply unfeasible for us to accomplish given geography, size and population. These issues should not be pushed aside, and they are valid concerns, but just thinking about them raises more discussion which could potentially lead to some positive outcomes.

This of course, raises a different issue.
What is the definition of propaganda? The connotations change over cultures. We generally consider it a bad thing here, yet the difference between propaganda, opinion and education is fine and fuzzy. Other cultures don't consider it a bad thing, because they don't feel that stigma of overt attempts at manipulation that we do. Is it only propaganda if we feel this attempt? That can't be right because guaranteed attempts are made that we allow to slide by because they are ineffective. Is it only propaganda if it IS effective then? Well then we would call it education.

Acting perhaps gives us an even more direct example than reading, as we are active participants instead of passive consumers. After all, isn't a staple of acting that it is permissible to say/do certain things because it is not YOU ACTUALLY DOING THEM? If people were unwilling to take this step, we'd have much fewer villains (and people would be that much more frightening who chose to be so o.o). We are clearly capable of suspending our own personal identity for the sake of the Story.

What does this say about the responsibility of the playwright? The actors? If they are indeed, not simply acting out a shallow tale of conflict and closure, but in fact presenters of ideas and concepts for pondering and reflection, does that change how they behave? Would they try harder? Probably not, being professionals, but maybe it would help them get into character by thinking about it.

So the next time someone comes up and asks why you waste your time with fantasy, science fiction, movies of clear non-reality, ask them if the messages contained therein are any lowlier or baser than the latest romantic comedy or stoner flick. Ask them which is more realistic, the emotions felt by the Hobbits or by the cast of Grey's Anatomy? Ask which is more palatable, yet able to bring up emotions of loss and duty...Star Trek or 24? What movie nailed right to the point on issues of race and responsibility more poignantly in recent history than District 9?

And then ask them why we only have fantasy to discuss such things.

The fact that they involve lasers, giant sandworms, aliens and gold-bikini clad princesses does not make them any less legitimate forms of expression. And their very distance from our reality makes us freer to explore issues too difficult or socially unacceptable to delve into in other ways.

Thursday, May 28, 2009

A Note on Art

Art is a transcendental concept, I think. It rises above nationality, creed or religion, above social class and circumstances. Art is transitory, amorphous as a child of Nereus and just as desirable.

Most of all, art is universal.

There is, I personally believe, an understood, though frequently unconsidered agreement between the Artist and the Public. But first, a few terms.

Art, in this case, refers to anything the Public deems it is. This means that what is considered art now, will not be art later, and what was scoffed at in its creation is now lauded as classic. This will be readdressed later. Art can include anything visual, auditory, tactile...anything the individual experiences sensually (as in, through the senses).

The Public is exactly what it sounds like, the people, the general consensus, thems that talk. In this way, art is incredibly democratic, for good or ill, though with many, many revolts and revolutions.

I think Art is such a sticky and amalgous (no, that's not a word) subject because its very nature changes when its status changes.

I will give an example to explain my point.
Recently, I was reading the blog of the great Neil Gaiman who was answering a reader's question about whether his blogging on his life and writing process made him more accountable to the Public who now had easier access to him. He (the reader) cited George RR Martin who seemed to be doing [everything in his power to avoid writing this novel and doesn't he owe it to his Public to finish this?] (paraphrased) to which Mr.Gaiman had the single greatest reply I have ever heard come from an Artist:

George R.R. Martin is not your bitch.

~~

This is something of an unfortunate side-effect of the information/net age, though I think the entitlement mindset was always there. The Public feels the Artists are obligated to feed their insatiable hunger for Art. What they don't apparently remember is that Artists are People too (sounds like a button slogan) and in actuality owe them NOTHING. The contract is between the Artist and the Editor/Gallery Owner/Commissioner/Record Label...not you. It is their (the artist's) prerogative if and when you get their work.

Which brings us to Form 1 of Art. As long as he/she is working on it, the Art belongs to the Artist. No one else has the right to judge, critique or interfere with it while it is in this Form/Stage. They can change it, destroy it or put it out.
Should they take the third option, Art takes on Form 2.

Any Art that is PUT OUT THERE, that is, made available for mass consumption (published, hung in a gallery, recorded on a record) it belongs to the PUBLIC. The Artist is still credited, still respected but how their art is received/perceived is up to the Public. This is why the status of Art can change from era to era, because though the Art piece is the same, the Public changes.

This leads me to several conclusions.

1) If Art belongs to the People...if it is there for them to critique, love, be affected by...then they are allowed to do what they want with it. This is why people getting up in arms about musicians who do cover songs aggravates me. If the original musician did not want their work covered, they should not have recorded it and made it available for others. In a similar way, if you are only writing 'for yourself', don't expect to get published. The strongest way I can think of putting this is: The Artist has no rights. This may seem cruel, if not downright blasphemous, but I believe it is necessary for Art to reach its ubiquitous state. It's like the essence has to be released into the aether.
That being said, we are totally allowed to blast an artist for a terrible cover, but you do that based on the merit of the cover itself and if it sucks, not on the fact the cover exists.

Likewise, think about movies. I understand that Alan Moore is understandably full of hate considering the treatment of his work in Hollywood. But I also think he's got too tight a hold on it. It's Out. Yes, it should absolutely be treated with respect and I wish more had, but the fact that someone makes a movie of it? That is their right as a member of the Public.

And Art is open to interpretation. What the artist intended, what they meant when they created the piece...does not HAVE to match what the Public receives as the meaning. This is why Art can be so personal to the individual. Which leads to my second conclusion.

2) The Bible should not be considered a Work of Art.
Yes, it has some beautiful poetry, marvelous imagery. But if you are going to make the argument that it is the Word of God, and that it holds actual Truths...that is, NOT being open to interpretation...then this is not Art. It is a message, just like this blog is a message, or a text is a message. From Sender to Receiver. Yes, every single person is a Receiver and yes there WILL be interpretation which is actually a good thing in some cases, I think. If you believe all the Bible is open to interpretation, that it is up to each individual how they take it, then feel free to call it Art. But I don't think you can have it both ways.

This doesn't mean that Art can't contain truths, simply that it has more to do with the Public's perception of truth, and not the Artist's intention.

Any thoughts from the studio audience?

Saturday, December 27, 2008

The short guy probably had it right...

EDIT: The captive slaves of the Spartans were called 'Helots' not 'huknos', I was thinking one word and typed another. I fixed it now.

Note: This is probably going to be one of those posts where I know more or less what I want to say, but because the topic is so amorphous, it is hard to really communicate well. There is no thesis statement, I'm not trying to prove anything, I'm not even sure I have a point. This post will probably be very stream of consciousness, so please bear with me.

As interesting as history is as a story, the very philosophy behind it is just as fascinating to me. Like all stories, there's usually room for interpretation, but rarely do the interpretations have such far reaching consequences (except in the case of religious texts). Napoleon Bonaparte is credited with saying, "History is a set of lies agreed upon by the victors." There is undoubtedly a grain of truth to this, on both the small and large level. Take Women's history. Now I'm sure a lot of people get aggravated that there are entire classes just focused on Women's history but that's because ours is one of the first generations that has even LOOKED at it. Before, it was assumed they either didn't have one or it would totally match up with Men's. If you were to look at a certain period in history solely from the point of view of men, and then do the same with women, no doubt you would get a different story. It's about what's emphasized, prioritized and outright ignored. Both have truths to them, both have gray areas of belief.

John Stuart Mill, great man though he was, was wrong about history. He said (paraphrased): "These nations[referring to India] have no culture, and therefore, no history. This is true of almost all of the East."
Because their culture did not look like his, he didn't recognize it as civilization. How many times may this have happened, and how many stories may have gotten lost because of it? I think this is a serious flaw in our education system, that we get so focused on American History (which is frequently white-washed past recognition), as if all of history was just setting up for the creation of the United States that we forget there's an entire world outside. And when the rest of the planet is talked about, it is usually in reference to us.

This is another inherent problem with history. For as long as the stories have been passed down, they have usually been used to engender nationalism or pride. It is awfully hard to remain objective when you want to make someone (or large groups of people) believe something about themselves.

But then, no history is wholly objective. The writers are human and therefore have flaws, and the readers are likewise without perfection. I think that's one reason it says in 1 Corinthians 13, "Now we see through a glass darkly, but then, face to face."
There's much we don't understand, it is obscured from us, and I personally am looking forward to seeing it all laid out later (much later, please).

Okay, so far we've shown: History changes depending on who is telling it (who may be focused on some things more than others, and who may simply be ignorant of other aspects), and because there is usually an agenda, it is difficult to say any of it can be taken totally on faith. That doesn't meant we should disregard it or consider it unimportant. It is simply something to be aware of.

Phew, glad we got that all set up. Now to what I actually wish to talk about. ^.^

Like I said, the philosophy is almost as interesting as the actual stories, and like philosophy, history is full of contradictions. Things everyone knows but doesn't always think about. Often, it is just the difference in wording. But words have power, and shape our perceptions and therefore our actions.

Why is it that:

You can be a freedom fighter...or an 'anarchist' rebel?
A crusader...or a terrorist?
A strong, effective leader...or a dictator?
A great general and tactition...or a cruel, inhumane bastard?

What's the difference? Sometimes it is easier to say, but often we are on very shaky ground. Most of the time, the only difference is whose side you're on.

Some context: For Christmas, I received a bunch of books written by the same author, historical fiction about ancient Greece and Rome. Currently I'm reading one about Xenophon, which has been really interesting because it's a period that I'm not really familiar with (though I know about what came before and then what came after). But it got me thinking about how we, in the present, think about people in the past.

A Tale of Two Cities in the Ancient World:

Once upon a time, there were two very powerful city states. They were named Athens and Sparta. Athens was the cultural center of the known world, militarily strong because of her navy (being right near the sea), and a huge trading post. Great minds, philosophical and scientific, flocked to her, and at the time we're looking, she had the first fully functional true democracy, under the leadership of Pericles. Well...true democracy in the sense that all free white men could vote and had a say. However, Athens looked around to its neighbors and literally conquered them through democracy. They became more and more powerful by subjecting other free cities, "for their own good." (Sound familiar anyone?)

Meanwhile, there was Sparta. I personally, consider the brilliance of Sparta in their social system. They had few legal punishments (obviously rape and murder, and stealing was punished, normally because you were stupid enough to get caught), instead they relied on social ostracization. Sparta had once conquered their rival and had taken all the people captive as slaves. 'True Spartans' were called Spartiates, and there were relatively few of these compared to people who just lived in Sparta, and then the helots(or the captive slaves). Now, if you know you're outnumbered by people who would kill you if they could, you would make a military society too. That's why the Spartan war-culture continued so long after they had stopped making war, they had to be always on guard against those within their own borders. And once a year, they got to go crazy and kill as many of the helots as they wanted. Fun people huh?
But back to their social psychology. Spartiate men all lived and ate together in Barracks. It was like The Big Kids table. If you showed cowardice (the highest crime in Spartan Society), you were stripped of your Spartiate status, and could no longer eat or live there. It was a huge disgrace. In this way, the Spartans ruled themselves through internalized values. No one had to be physically punished because they did it themselves. I think that's pretty innovative.

So both cultures had their good and evil, just like any other. Spartans treated their Spartiates very well, regardless of whether they were male or female. Well, women were more respected and got to have a greater say in politics, though they couldn't formally hold office. They were able to participate in Olympics, but this was mostly because healthy women create healthier children so it wasn't really due to any kind of enlightenment. But Sparta was pretty backward when it came to other things. Because they had slaves to do their work, they didn't advance technologically. Their houses were not particularly comfortable (more like mud huts than anything else), and it was once said 'No wonder Spartans are so willing to die on the spear. Better that than to live on their food'. They were strong people in that they adhered ardently to their beliefs, and with the exception of the one country that they more or less accidentally 'won', they had no interest in conquering anyone else.
At the same time, Athens encouraged new levels of higher thinking and we find the beginnings of deductive reasoning, the scientific method and great leaps in science and art. Plus, the formalization of democracy is an important contribution. But the Athenians were pretty full of themselves and felt the need to spread their greatness to others who didn't ask for it.

And so like what so often happens, the true evils of any people comes forth in war. Sparta didn't participate in the first Pelloponnesian War because they didn't like leaving Sparta for fear the slaves would rise up. But the second, which lasted for 27 years, would have tragedies on both sides.

It is during this time that my books starts. Sparta won the Second Pelloponnesian war, and installed a puppet government, known as the Thirty Tyrants. This was a huge leap from true democracy to a strict oligarchy and the Athenians resented it. Spartan philosophy didn't work on such a large scale. It was fine for their city-state, but they couldn't enforce it well on others. For one thing, they liked winning, but they didn't really like conquering.
(Note: This is all based on my personal understanding. I get my information from classes, books and talking with professors because I assume they know what they are talking about. As I've said, history is usually open to interpretation and has often been embellished if not outrightly made up. So I could be wrong on some of these points, especially motivation. Please don't think that I assume everything I say is gospel truth, I am completely open to the idea I could misunderstand these things.)

Man, that was a lot more background than I meant to give. And all from memory too ^.^ Dr.Nuzum (my Prehistory teacher) would be so proud.

So what this has done is made me think about our double standards. Take the movie 300. Obviously, only loosely based on historical fact, and I don't use it as a real reference point, but it DOES speak to our present perception. And a lot of it is right, at least philosophically. Spartans were the best hoplite warriors of the time (hoplites are foot soldiers). And they really did fight off an overwhelming number of Persians to allow for the rest of the army to escape (yeah, covering for someone else running away isn't quite as romantic, but it does show a level of self-sacrifice).
The Queen, Gorgo, was actually a really fascinating figure, someone who greatly interested Herodotus, the father of history. She is the main reason we know about the battle of Thermopylae, as she wrote extensively. Leonidas was a great king, he introduced many reforms and improved the lives of his people (I personally consider that a plus for a ruler). But we have this over-simplified view of the Spartans I think, just as we do of many other peoples and individuals. We, Americans, and probably humans in general, are drawn to people who are the best at physical prowess. Take team names. My school mascot is a Viking. Vikings were smelly, gross and often terrible human beings. Yet, we glorify them. Look at most teams. Heck, the Forks High School team is called the Spartans. No one wants to be called the Athenians because they were known for their mental abilities and despite our great enlightment (/sarcasm) we don't value that nearly as much as the ability to swing an ax into someone's face. It's just as we like winners, no matter how they achieve that rank.

Something I've always wrestled with is how we judge individuals, and if we even have the right. I've talked to a lot of people about it, especially my dad and Dr.Nuzum (who is a historiographer and so usually understands where I'm coming from).
What do we judge? The action, the consequences, the motivation? If they were a total douchebag, but did good things for their country, are they excused? What if they did good things for their country but at the expense of another country? I suppose that's the philosophy of Political Science.

Take three of my favorite subjects: Richard, Coeur de Leon, Alksandr of Macedon (also known as Alexander the Great) and Napoleon Bonaparte.
Richard was one of the ten greatest generals of all time (as far as I know). He inspired much in his men, and his people loved hearing of his victories.
But he also bankrupted his country to fund the Crusades, and obviously his victories came through killing people closer to their own country than he was to his. I highly doubt he really cared about liberating the Holy City. He loved making war, he was good at it, and any excuse would have worked. He was known for raping women and then passing them around to his men for their depravations. In his defense, that was expected of him, though it hardly excuses him morally.

So which column do we put him in? Should we even try? Perhaps we don't have the right, as we weren't there. But then, we have to live in a world shaped by these actions, which gives us some leeway. If Sparta and Athens hadn't more or less destroyed each other, Phillip of Macedon would have had a much more difficult time defeating them and Alexander the Great would likely never have risen and the world would certainly be different.
Alexander unified formerly disparate nations and paved the way for the Roman Empire who for all of its evil, did much for the world, including setting the stage for the birth of Christ. If Alexander had lived past 33, who knows what he could have accomplished, for good or ill? But in his time, he perfected his father's improvements in hoplite warfare and reshaped the map. People became aware of the world around them better. When Rome came, they also built on this, creating the Latin Rule, which made them come to new nation-states as colonizers, not conquerors and is one of the main reasons they were as powerful as they were for as long as they were (an empire that literally lasts 1000 years is not to be sneered at).

More directly than either of these perhaps is Napoleon. Much that is in the world today can be traced to him, including the rise of Nationalism (and come of its consequences, such as Abolitionism and Feminism). The Napoleonic Wars greatly altered Europe and many of the colonies (such as Haiti). Napoleon was definitely egotistical, but he was also a great general and understood psychology to the extent that he perfected nationalism to help keep the French people in line and to this day they have few figures they love as much as him.

I know I'm talking in circles, but that's how I think about these things, there is always a thought and then a counterthought.

Were these great men? Were they good as human beings or are those in authority answerable to a different set of rules? Jimmy Carter was probably one of our most moral presidents but he failed as a ruler pretty hard. Herbert Hoover was one of the most hated, but he didn't really do things wrong, he just didn't do much of anything. Johnson WANTED to do a lot of great things, he had a lot of good intentions, but he's mostly remembered for getting us stuck in Vietnam.

Or look at it another way:
During World War I, we saw the formalized conceptualizing of Total War. One of the components of Total War is the Homefront. Every individual is involved, man, woman, child, with the war machine. And therefore, there are no civilians. It because acceptable to bomb cities, towns...If you destroy their suppliers, if you demoralize their soldiers...you win. The Blitzkrieg, Nagasaki...Terrible atrocities done in the name of victory.

But if it WORKS...it's considered good strategy. The Assyrians ruled through fear because they did terrible things to those who rebelled against them, including babies on spikes. But it worked right? Does that justify it? That's a dramatic example but we can see it other places. It's war right? The rules change. But when the OTHER side does it...it's barbaric, it's evil, and that's why we have to stop them. The double standard continues.

If we do it, we're Liberators. If They do it, they're terrorists. How dare Russia invade democratic Georgia? Oh, we invaded democratic Iraq? Well...that's hardly the same thing.

I'm not ragging on the US, but pointing out a problem with humanity in general. As a species, we tend to suck hardcore when it comes to fighting with each other.

There was a line, at some point, someone must have said 'We should never go past this point. This is the worst we should do, because after this, it becomes morally unnacceptable'.

I think that point was passed a long time ago. Now we can destroy the world 80 times over with nuclear weapons, and even better we have MACHINES to do it. The only benefit is that war is no so horrid, we are discouraged from doing it because of how awful the cost would be. But there's always a button pusher, always someone who considers the ends justifying the means, and our children will have to live with the consequences of those decisions.
Because someone decided that killing each other more efficiently was a good idea. And then someone else, and then someone else...and no one stopped them. And they thought they were doing the right thing.

So how do we judge THEM? If their intentions were, if not pure, at least in the best interest of those they considered important, could we say they were evil? Or just misguided? Einstein said one of his greatest regrets was helping with the Atom bomb. But he had been told that the Germans already had one and the only way to preserve peace was for America to have one too. He was lied to, plain and simple. Does that excuse him?

A lot of good things have happened in our world. So have a lot of evil things. And so many many things we don't know about anymore.

So what's the point? I told you, way at the beginning that I didn't have one. Remember that far back? ;)

We are all actors in history. What we do changes the world, whether we see it not. So take care and consider your decisions because someone else will likely have to live with the consequences.