They Who Serve Who Only Stand And Wait

Recently, I have been allowed to read books again, which is glorious. I have found myself drawn to some nonfiction. I mentioned this to an older acquaintance and they responded with 'Oh, I'm so glad you've grown out of those silly fantasy novels and are reading big kid books' (paraphrased). This bothered me to no end, but I made no issue of it at the time, knowing my cause already lost. I put it aside for awhile until the multi-talented Sean PC posted an observation on Facebook, which I'm reprinting here.

"...has an interesting observation. When a relationship has ended, and a person dwells on the feelings of their broken heart, after a certain amount of time everyone thinks they should get up and get over it and move on. “S/He wasn't worth it, anyway.”

But if someone moves on without seeming to care, everyone thinks they're a bit cold hearted, and wonder if they really cared in the first place - and may even suggest that they take a little time to mourn the relationship if just for its significance. Is this a double standard? And what is the time limit someone is allowed to mourn the past and ... See Morewhat if? And then there's what we are asking these people to do, and our views on emotions in general: How much significance do we allow our emotions? Are we to slip on a mask of good cheer and congeniality when we have "dwelled too long"? If we seclude ourselves because we make others uncomfortable, or are forced into seclusion because our display makes others avoid us, time spent too long there make our friends wish us out of it - but happy. Perhaps, just perhaps, this is the purpose of the stage - so that while we go about our daily lives with a social mask on, we may be ourselves in character, and allow our audiences see and feel what it might be like if people were free to be themselves."

My attention was predominantly to his supposition that the stage allows us to express what our culture does not. I wholeheartedly agree, but I would expand that notion to include basically all forms of fiction.

The further separated, the more distanced from reality, the more we are willing to open our minds to the possibility.

Consider the following scenario:
You have strong beliefs about the environment. You consider actions of our government and the corporations that call a lot of the shots to be irresponsible if not downright immoral. You believe our culture needs to change from one of consumption to one of careful stewardship.
Sure, you could write about it, try to convince others. But likely you would be labeled and then categorically ignored as a liberal, an extremist, a tree-hugger. No one wants to be told that what they are doing is wrong, that they may have to give up their comfortable lifestyle.

SO....spends billions of dollars and make a movie set on a different world where the alternative lifestyle is represented by individuals who are tall and blue and catlike and suddenly, BAM, everyone wants to hear what you have to say. It helps if everything is shiny and wellmade and stuff blows up too.

Undoubtedly some people were put off by the social subtext in Avatar. I was at points. But how many people do you think walked out at least THINKING about some of the questions it raised? Probably enough that James Cameron feels pretty good about it. The message didn't change, but put it in a way that people feel separated from, that makes them feel comfortable and you will reach a much bigger audience.

Do I think that was the point of the movie? No. The point of the movie was to be entertaining. It was intended to make money. But you know, while you're at it...

I've mentioned before that the Joker is a powerful character because we know he's *not real*. We can explore the moral and philosophical question he raises because he's OVER THERE. Fantastical fiction is therefore perhaps the greatest vehicle for philosophical discussion. My big brother said he thinks philosophy is dead. I disagree. I think it just changed addresses.

There is of course, some major differences. In a fictional setting, one is allowed to artificially limit options and circumstances. One could argue that it is easier for the Na'vi to live as they do because as far as we know there's only 20,000 or so, whereas on our planet, we have 7 billion. There are some things that are simply unfeasible for us to accomplish given geography, size and population. These issues should not be pushed aside, and they are valid concerns, but just thinking about them raises more discussion which could potentially lead to some positive outcomes.

This of course, raises a different issue.
What is the definition of propaganda? The connotations change over cultures. We generally consider it a bad thing here, yet the difference between propaganda, opinion and education is fine and fuzzy. Other cultures don't consider it a bad thing, because they don't feel that stigma of overt attempts at manipulation that we do. Is it only propaganda if we feel this attempt? That can't be right because guaranteed attempts are made that we allow to slide by because they are ineffective. Is it only propaganda if it IS effective then? Well then we would call it education.

Acting perhaps gives us an even more direct example than reading, as we are active participants instead of passive consumers. After all, isn't a staple of acting that it is permissible to say/do certain things because it is not YOU ACTUALLY DOING THEM? If people were unwilling to take this step, we'd have much fewer villains (and people would be that much more frightening who chose to be so o.o). We are clearly capable of suspending our own personal identity for the sake of the Story.

What does this say about the responsibility of the playwright? The actors? If they are indeed, not simply acting out a shallow tale of conflict and closure, but in fact presenters of ideas and concepts for pondering and reflection, does that change how they behave? Would they try harder? Probably not, being professionals, but maybe it would help them get into character by thinking about it.

So the next time someone comes up and asks why you waste your time with fantasy, science fiction, movies of clear non-reality, ask them if the messages contained therein are any lowlier or baser than the latest romantic comedy or stoner flick. Ask them which is more realistic, the emotions felt by the Hobbits or by the cast of Grey's Anatomy? Ask which is more palatable, yet able to bring up emotions of loss and duty...Star Trek or 24? What movie nailed right to the point on issues of race and responsibility more poignantly in recent history than District 9?

And then ask them why we only have fantasy to discuss such things.

The fact that they involve lasers, giant sandworms, aliens and gold-bikini clad princesses does not make them any less legitimate forms of expression. And their very distance from our reality makes us freer to explore issues too difficult or socially unacceptable to delve into in other ways.